ReepStaxx’s Freestyle and the New Lyrical Movement

With this 3 minute rap mansion, we see the raw talent the philly underground rap scene cultivates.

Written by Andrew Perciballi

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Reepstaxx’s (INSTA) “Payday (Freestyle)” uses a hard beat with relentless rhyme schemes to blow you away. No chorus appears in the song, instead the rapper uses straight bars to carry you through like an unrelenting song. The rapper isn’t collaborating with the beat- its just there to support him- its not a song, it’s a rap attack set to music.

Standing above the crowd on a global scale isn’t easy but with this many straight bars how can you not be impressed with the freestyle now sitting with over 50k steams on Spotify.

“I was influenced by the Philly underground rap scene since a buck. I really looked up to Meek and Reed comin’ up” While definitely matching the potential for aggression, Reepstaxx can also mix and match his syllable patterns like Meek can as he demonstrates throughout his freestyle. Reep moves back and forth between a melodic pause and machine gun rapping that finally ends in a more traditional sway. We also get a lot of exposition about the rapper’s roots coming from nothing which makes the song feel triumphant as a professionally produced and complete thought.

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Here Reepstaxx uses the syllable pause and rhyme to tie the first two lines here to the second two lines of much faster rapping. You can see this is incredibly dense and honestly, this isn’t even the densest part of the freestyle.

 

A lot of the technicality on display here is at par with the raw bars prevalent in early 90’s rap such as “Naughty by Nature” and other rap groups that focused on the bars more than the beats. In a world where first class beat can be produced at the underground level, we get this incredible amount of digging deeper even at a local level.

There’s even a segment at the beginning of the song where he ends each line with many letters of the alphabet, it is done so flawlessly I didn’t even notice until my force listen when I had the lyric sheet in front of me. If that isn’t some Blackalicious shit then I don’t know what is.

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Here we can see throughout this entire segment including 3 different syllable patterns largely he keeps to the same rhyme scheme of O sounds at the beginning of a line and IN sounds at the end. Reepstaxx does this entire passage extremely fast and it leaves your head spinning. I could go through about 6 albums of this freestyle and not get bored. It’s great to see underground music pushing the envelope like this.

This year the Netflix documentary on the origins of rap came out, Eminem dropped arguably his most technical album to date and artists all over who focus on lyrics are starting to really shine publicly. It’s great to know that there are current rappers like Reepstaxx building up their cities 35 years after rappers laid the ground work on break beats.

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Chef Karllo and the Return of the Renaissance Artist

Chef Karllo flexes versatility on his upcoming EP that ushers in a smarter, more self-aware era of popular rap.

Written by Andrew Perciballi

Chef Karllo the rapper from Philly has shone on the internet with minimal releases that hit huge numbers. He writes bangers. But in some ways Karllo brings in a flexible lyrical style that not only mimics but often surpasses his inspirations. Chef Karllo isn’t just some mumble rapper with a flashy producer (Though he occasionally works with some including Grammy nominated Keanu Beats who you may remember from his work with Migos). Chef marries his beats and singing melodies with explosive lyric dense verses. These musical talents while totalling a huge sum alone are only amplified with his track record of being open to collaboration and fan engagement. In an era where we expect our artists to become renaissance men and women, Chef Karrlo is prime steak for other collaborators picking their shots in 2020.

The Bars Chef Karllo’s EP Chef529, set to release on May 29, 2020 opens with an incredibly lyrically dense tune that doesn’t feel like it. Chef’s music isn’t bogged down by the lyricism like many of the deeper rappers we get but celebrates the moment the lyrics live in. We get those small moments that you can belt out in your car or tag your insta pic with but when you pull up the lyrics you see and incredible amount of technicality.

Steady cooking the eye is turning you never learning,

Soil’s  turning and bodies missing so what you earning?

Look at all the work that went in these two bars. Either on accident or by genius Chef throws in body grotesque imagery. He’s grossed out by the person he’s speaking about here. The S sounds, the Earning and Learning rhymes mixing both metaphors a statement and a question. Most of the song rhymes parts of the front of the words too as you can see the 6 melodical patterns that make up his flow in the highlighted segments. IT SOUNDS GOOD. If you were just trying to vibe to this it wouldn’t take you out at all.

The Bangers If the album still isn’t out go listen to “From a Place” about 60 times and you can just skip this part. Chef clearly is great at not only working with big producers but capitalizing on the beats. If you’re a fan of more emotional beats for later in the night “Alone” on the album proves the Karllo will likely be able to appeal to both of the 2 single largest demographics when he does shows and this is the versatility he’ll need to be able to leapfrog obstacles as he builds his career.

The Moves Chef works with so many different styles of collaborators that there is no way he’s going to miss his shot. I’m sure this openness to work moved obstacles that allowed him to have Keanu Beats  TWICE. NOT ONCE; TWICE on the album. He’s got tracks that sound like Migos, Drake and J.Cole. We live in the age of the second renaissance Logic wrote a book, Donald Glover made his TV show, was an actor and oh yeah, then made a R&B album that was nothing like his other 3. We live in an era of cross pollination and if you don’t do everything you do nothing. Network effects are why Chris Hemsworth has a workout plan and there’s a candle that smells like Gwyneth Paltrow’s cookie.

What I’m getting at is the next generation of Mass appeal rappers in Chef’s genre are going to be self aware diverse artists like him. The scouts want to see you can shoot and pass. With Chef Karllo’s rise we could possibly see the least meta of rap genres become refined.

The house will be just as big; it’s just made of gold now.

Act 3 of Spose’s We All Got Lost Album

Spose’s final act summarizes the lessons our protagonist learns and applies them to everyone else. Opening with the title track the act symbolizes acceptance.weallgotlostcover

Opening with the Album’s Title Track “We All Got Lost”, act three not only summarizes the lessons our protagonist has learned on the path but starts to apply them to the people around him as well. Spose is realizing that the pitfalls he is experiencing aren’t exclusive to him hence the “We all” in “We all Got Lost”.

This track starts in a bad emotional place, Spose starts by reflecting on his failures, his disappointment with himself and the system he lives in. He reflects on his “Mirror Mirror” expectations and the track bolsters itself with the chant “Somebody yelled join the club” and the chorus kicks in a totally different celebratory mood. Spose is incredible at making this transition seeming seamless (he does some similar work on “Little Different” from a previous album). From this point on, the song becomes a celebration of failures, the true signature of Spose being one of our greatest humble rappers, rapping about depressing circumstances over a guitar solo with a smile on his face. It’s this kind of song writing that makes Spose one of the biggest mold breakers of the genre.  This track encapsulates the entire emotion of the album.

I fell off the written map
I went both directions at the fork and I got split in half
I made the mistake of tryna have my cake and eat it (eat it)
Keep it and delete it
Party all the time and somehow still succeed at my achievements

The song ends with the words “You almost have to experience the mountaintop a couple of times to recognize it’s not a tangible thing”. Likely in reference to the successes Spose have achieved on the way being fleeting moments rather than resting points.

Track 2: Suicide Doors reflects on how we treat celebrities who achieve the Mountaintop. The track acknowledges that those people are still trying to get there and the massive amount of public scrutiny we give to celebrities. Spose acknowledges that even though this is what he has been chasing he is unsure he could deal with all that pressure to be seen as a god, let alone the massive apathy we have as a society for wealthy people. He names Kurt Cobain and Mac Miller as those who have been “Killed by the mountaintop”. There are lyrics in the track reminiscent of “Small Worlds” by Mac Miller, either subconsciously or purposely referencing the song, Spose is demonstrating a full and complete point by drawing a connection between the lines and the suicides.

You never told me being rich was so lonely
Nobody know me, oh well
Hard to complain from this five star hotel – Mac Miller, Small Worlds

Finally on track 3, our hero decides he may never reach the mountaintop. Holding the dichotomy of this idea in parallel with the idea that he won’t stop trying for the first time. The song is enormously triumphant as he realizes the journey has been neither good or bad but at least a journey. Here we see all the ideas of the album release with a track that feels less like a loud party celebration in “We all Got Lost” and more of a quiet personal one. Spose claims that making the journey to the mountaintop is his “only hobby, besides watching the Celtics” seemingly acknowledging both the distractions from rabbit hole and the crazy old man he met on the very first track who learned to love the path around him and see the grass is green. He acknowledges that the path is home.

The third act tracks all have a sort of musical fullness to them. There is some real depth to the tracks and you’ll notice it when the album is on shuffle and you hear the lack of layers on earlier tracks from Act 1 Like “The Bugs are Really Bad Out Here” or the experimental music in “Loon Song” (literally just a bunch of freaking loon noises).

The Epilogue to the album being “Take you Home” a track with Grieves keeping in tune with the very physical imagery of the album opens with Spose taking you on a tour of his hometown. The tone is a little weird after the triumph of the end of the album and we get this harder rap about the horrors and casualties of “The Path”. We get some horrific imagery and some nods to challenges discussed on the “We All Got Lost” track. There’s still some unreal music here, an unbelievable saxophone solo you simply couldn’t find on another rapper’s album, Spose separates himself from his peers by embracing this kind of collaboration.

I love this track because it gives you some conflict after the completeness of the album, it acknowledges things most people won’t discuss like suicides, assaults, addiction and depression. It leaves you in a strange place as if you watched the lion king and then saw a breaking news story of something horrific. I think first listeners would be split on the inclusion of the track but I personally don’t feel it’s out of place to give context to the environment in where the “journey” of the album takes place.

Largely the album is a celebration of life, of the pursuit of happiness and the indefinite failures we experience on the way to those fleeting mountaintop moments. Spose ends by comparing his journey to everyone else’s in a compelling argument that we won’t make it to the mountaintop, we probably wouldn’t like it much if we got there and would start walking towards another mountain and he’ll be damned if he doesn’t try. Largely the Mountaintop we get to wasn’t the one we were chasing in the first place,

hell; We all Got Lost.

Listen to the Album Here.

Act 2 of Spose’s “We All Got Lost” Album

Act 2 of the album kicks our protagonists butt as he repeats some mistakes he’s already made and makes new and exciting ones. The Act opens with “Fuck this shit I’m Going home”weallgotlostcover

Act 2 of the album opens with “I’m going home” the self entitled EP track finds a place on the album as another overture for Act 2, after our protagonist has had some experience with life. He has tried hard, failed and been distracted and he’s realizing that he has done it so much that it is becoming a pattern. He hasn’t achieved his goals, he’s never arrived at the mountain top and he gives up by “Going Home”. He asked himself if this is all life has to offer him; a long line of disappointments and failures.

He mentions again to the Rabbit Hole distractions but this time they are used as coping mechanisms for his failure instead of positive exploration. “Why do I do this to myself” explores this analogy in the form of a paranoid marijuana experience. The song uses untrained screaming and hard metal tactics to make you again uncomfortable to simulate the experience. Spose reveals his diversity as an artist with this track.

Brag Track does the opposite as Spose admits that it hasn’t all been failures. Here he reflects on his massive success. The song still mentions his paranoid self doubts in keeping with the awareness that Act 2 brings:

“cause when I put it on, all my problems went away
So I listen to it every day, I think I need another
Brag track, ayy, ayy, ayy
When I’m feelin’ down, it could make me levitate

Then the act spirals even deeper into self-doubt. An awareness and specificity that is often associated with self growth is present on “I will let you down” as Spose reflects on his jealousy and shortcomings even listing other collaborators like Cam Groves. The song is the perfect example of Spose being a humble rapper and really leading the charge into self analysis.

The act closes out with “Drawing Board” a song that continues to acknowledge the disappointments of Act 1 while including the reflective tone of Brag Track. Drawing Board is perhaps the most beautiful song on the album featuring Lyle Divinsky on the chorus. In the song the protagonist admits his failures and successes but resolves to set out again for the mountaintop despite the hopelessness. He refocuses and admits his failures and is finally ready to become who he has to be to get to the mountaintop. The song reeks less of momentary motivation and more of a hardy resolve towards success.

The Protagonist wants to put in work and become successful. and if that doesn’t work he’ll roll up a blunt and meet at the drawing board to start over again.

Listen to the Album Here

Written By Andrew Perciballi

Act 1 of Spose’s “We All Got Lost”

After the Aforementioned Overture, we start our journey on the road to the mountaintop that was promised to us by the Transformers Movie and our protagonist finds out the path isn’t exactly straight. weallgotlostcover

For our purposes we will consider the first 5 Tracks on the album.

Spose or his protagonist starts his journey towards the success he’s been promised, or more likely, promised himself which talks about different things he encounters in his path. “The Bugs are Really Bad Out Here” keeps in alignment with the camping pilgrimage imagery of the album using the metaphor for people or systemic obstacles you encounter on the path to the mountaintop.

The song uses a bunch of wordplay but I personally found the most compelling bits about how mosquitoes are using your blood for their own benefit. Clearly Spose could be referring to money, buzz as an artist and the covert way in which people go behind your back.

“eating off you when you’re buzzed and you can’t here it” 

Chris Webby has a middle-verse feature here as our first introduction to an antagonist in the album. I should mention that Spose has a HUGE catalog of music and being one of the best lyricists in rap he’s discussed similar themes to “Haters” before and through a lot of different lenses but on this album it’s particularly interesting to see how that building block has been shuffled in with the overarching idea of the mountaintop or “Life’s Purpose” and though the haters appear on the album they don’t really star front and center on the bulk of the tracks. Most of the conflict Spose experiences after the first act is internal.

On “Loon Song” Spose discusses his challenges coming from a remote part of the country as a rapper. The song is, despite the negative concept, largely positive reflecting on his success and more braggadocios and positive; here Spose feels youthful and, now that he has past the bugs, is now well on the way to the mountaintop.

On Rabbit Hole our protagonist is again challenged on the path; this time by himself much more than the bugs mentioned earlier. The song is positive as our hero has been lulled into a false sense of security. He’s having a blast, chasing girls and getting high. He’s enjoying the path but there is a sinister side to the admittance of wasting time. Spose basically tells us how too much of this can lead to a bad time, eventually trapping you in a cycle.

The final track of Act 1 Mirror Mirror, reflects on the “Minor Swells” the protagonist has surpassed in act one. The song is positive, naive and has the imagery of an imperfect guy in his 20’s who doesn’t clean all his laundry and still wakes up thinking he’s the shit. Yeah he’s hung over today but he’ll get to that mountaintop some day.

In fact, hey, he’s made a lot of progress! He’s not flipping burgers anymore at McDonalds and he reflects that he was clearly “Always this good” with a charming rose coloured reflection of a conversation he had with another kid in grade school. The songs speaks to refocusing on the goal after “Rabbit hole” and starting the cycle over.

I would choose to end the act here because this is the last song on the album that seems to be completely without defeat outside of “Brag Track”. These moods in aggregation show us the different moods of being on the path: Defensive from bugs, persevering towards the mountaintop in the face of obstacles, Getting distracted and then righting yourself on the path again. You’ll notice in Act 2 our protagonist see’s through the lens of act one.

Listen to The Album

Written By Andrew Perciballi

The Sport of Barpicking: a Prologue

A piece of fiction by Andrew Perciballi: a prelude to the short story “The Good Intentions of Domo Arygato”

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(Earth 1)

When selecting YOUR bar you want to keep some things in mind. Domo Arygato was a big fan of the three L’s of BarPicking: Location, Location and Leprosy. Just kidding, the third one is also location. And that’s why, for the past 3 years, The Boys had met at a bar named Kelsey’s. This bar has no relation to the Kelsey’s you know on Earth and for obvious reasons, including the fact that no one actually wants to go to Kelsey’s, which is a sad, expensive place where valentines’ dates go to die, we will henceforth call the bar formally known as Kelsey’s on Alle Ort in the capital of Mooriata; The Bar.

The Bar, was a short cab ride from Domo’s home (shorter yet when you were plastered) and a slightly longer one from the others’ with the exception of Rincetin’s new flat in the downtown area. Such are the benefits of being the guy who picks the bar.

Now being a backdoor politician, not exactly at the bottom of the economic foodchain Domo had selected a bar that fits into the strategic category of “Not-an-armpit”, and keeping in mind Alle Ort is closer to 1800’s Boston than 2000’s Boston (though not nearly as caffeinated as 1700’s Boston), a place that would allow such luxury’s as “Shoes”.

The counter point of course being the bar he chose had to allow smoking, be intimate enough for poker and not have one of those chalky sidewalk signs inviting you to try the “city’s best-known burger”. Wooden everything was better than tile anythings and enough traffic for the occasional bachelorette party retreat was ideal. Real brown wood, not black-so-you-can’t-tell-it’s-dirty wood please and thank you.

You need somewhere off the beaten path so if you’re avoiding anybody you can enjoy your bar in peace and they can give you space as well. But you still need to be close to the action. The Bar was located down a sidestreet off the main strip and close enough to a cigar shop and a late night burger joint to effectively keep away any healthy people on a regular basis.

Now, if you find a bar that gives you free peanuts, this is ideal. Peanuts are a valuable source of snacking and shells provide anti-slip soak for beer spillage. Peanut shells are a great alternative to beating the shit out of your friends which, if it happens in your favourite bar, can result in your expulsion from said bar. And also friends, but mostly the bar thing.

Peanuts (hah, bet you thought this peanut bit was over), aside from being a great source of fat and protein as you wait for that bitch carol to bring the nachos you ordered like 35 minutes ago, are also a wonderful source of biotin which is important for hair growth and general hormone health.

Live music is a contentious topic in the grandeur scope of the bar-picking community but Domo was very against it as he was against most factors he could not control. The occasional faun story-teller was welcome in The Bar and the Boys could always retreat to their back room if they got bored. Fauns on Alle Ort are famously entertained across the land and as a result have the wildest stories. In this way fauns are celebrities almost as a species rather than individuals and attract all sorts of colourful characters hoping to become collected into a lexicon of stories.

“But the most important thing you must consider when selecting YOUR bar” said Domo one day explaining his theology from the top of a milk crate, “Is that you never pick a bar where you are tempted to date a waitress. And that ended up being why my friend Joe died. Quite honestly I feel at fault.” This last bit he admitted as though he had never told anyone before. The four vagrant children no older than 13 all wanted to ask Domo what had happened to his friend Joe, but they knew Domo well enough to know he wouldn’t answer. But I will.

On most Friday nights the boys would start at their favourite red booth, where their favourite waiters and waitresses serve them until about 11, and then they would move to their smoke-filled backroom for a poker game or thirty. Which is where they were at the beginning of our story…

 

Your Twenties: an Introduction to the Spose Album

Here we see a coin almost as big as the mountain itself so far in the distance that you cant see the path.

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As the first song on the album plays we get our framing of the metaphors in Spose’s “We All Got Lost” from the perspective of someone entering their twenties. The first verse and chorus is positive “we believe in you” that could be your parents or any other mentors you encountered in your youth. It’s finally your turn to take on the world and you can see all the things you want, now all you have to do is go get those things and set out on the path.

Our protagonist starts down the path with gusto but then gets distracted by one of the many doors along the path (according to Genius this one represents sex but the doors represent literally anything that distracts from the goals like food and any pleasure) and when he leaves he finds the mountaintop seems even farther.

One of my favourite lines on the album here is “So I jog like memories, I ran like Tehran”

The hiker then meets a man named Dan who represents, according to Spose, someone who has experienced the mountain top. He tries to show the beauty of whats around them but our protagonist who shrugs him off as crazy and continues.

He then gets distracted, finally smoking weed with his friends and procrastinating on his journey. He recognizes there’s a part of him that wants to stay in that space forever and just enjoy things. The song then introduces a very stressful sound that breaks up the music and makes it rather unpleasant; our protagonist has sobered up and is now in a panic concerning his journey’s state.

The sound intensifies and so do the lyrics. He’s in a panic. It’s not pleasant to listen to this part of the song if I’m being real. Then Dan taps him on the shoulder and Spose turns around to look at the ground he’s covered and he see’s a beautiful valley. All his stress falls away as he realizes he has achieved.

“I sat and the camera zoomed out till I’m nothing
See the coin twinkle like a gold moon up above him”

The song ends with this and we are left to wonder if the coin is above him as in further up the mountain, or if it is twinkling above him like when Mario gets the coin. Spose is saying this “looking back” appreciative moment is the only way to reach the coin.

Welcome to your twenties.

 

In Defense of Acquired Tastes

When I was a kid, you could not make me eat asparagus if my life depended on it. I would not eat it on a train or a plane.

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And then, when I was in high school a friend had the opportunity to pick asparagus at a farm and somehow convinced me the 30 minute carpool would be worth the 2 hours a day after school it would take to pick asparagus.

Which, by the way is an entirely weird plant that grows daily like a magic bean, a harvest that involves sitting on a tractor like you’re visiting the gynecologist with 2 other people and a knife that was purchased in 1982, but I digress.

The point is that I suddenly found asparagus interesting and I could tell if it would be a good harvest by chewing on a raw stalk so I just love asparagus via exposure. Every time someone makes asparagus I feel a (very strange) sense of pride for overcoming and becoming more “refined”(?) as a result.

I’ve been dealing with a lot of views of my peers, I guess we are going through that figuring-out-how-you-fit-in-this-world-for-the-second-time phase, (the first one being through the American Idiot album?) and I keep seeing all these memes or quotes that get passed around about changing your surroundings. I’ll be the first to admit sometimes you have to and should change your surroundings. but this is an action that needs to be done in good faith!

I see a lot of extreme extroverts using a variety by society as an excuse to avoid depth and focus on breadth. Instead of improving themselves they hunt for a new surroundings again in poor faith. I don’t think this is good.

You can’t put an airplane emoji in your Instagram bio and think it translates to self-growth. 

For too long you extroverts have been controlling the business scene and LinkedIn is starting to reveal your true colours of not seeing true depth and as an ambivert I feel it’s my responsibility to push the introverts to get this far in the article to convince people depth is the way to go.

So IF I may, let me recommend some Asparagus you should listen to. I will be releasing a small series of these posts dissecting an album by the rapper Spose that I originally really didn’t like, and still sometimes skip some tracks. I’ve come to realize this is a wonderfully cohesive album that covers a lot of the realization around the stage of life we find ourselves in during our twenties.

Find it on Apple Music or Spotify: “We all got Lost” Spose.

The Best Western of Our Lives: RDR2 Ending

If you haven’t played Red Dead 2 and you don’t plan on it you should at least learn about the ending and why it’s so good.

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About the game: RDR2 feels like the most expensive game I’ve ever played and it likely is. With the most ridiculous amount of 10/10’s the industry has ever given it combines graphics, an immersive open world and wonderful gameplay. This article is about the main story line characters which feel intensely complete.

Red Dead Redemption 2 is about a bad man named Arthur Morgan. Arthur isn’t exactly the cut and dry bad guy that we talk about in stories, in fact largely, he represents the qualities we find in the good “wild west characters” he in many ways in a father figure, he’s loyal and he protects the gang. He champions the gang any chance he gets by reminding newer or less disciplined members to give anything they steal back to the gang which is composed of men, women and children.

He also kills people. He steals, robs, lies and cheats and he’s done it for a lot of years in the service of the gang who sees themselves as entrepreneurs living off the land and the idiots of the world the same as any other capitalist system.

Led by Dutch, the gang starts to take more and more risks at a time when the lawlessness of the American Frontier became fairly lawful and the story of a happy gang on the run turns into a desperate one.

One of the ways the gang earns money is by loan sharking and our main character as the enforcer contracts TB (a death sentence of a disease at the time) from beating a sick man for his loan back. Arthur starts to realize that he’s dying around the same time that his gang starts to feel the toll of the risks; one of his best friends and another father figure die as a direct result of a risky bank job.

As Arthur gets sicker, he starts to look out for other gang members and recognizes that some,especially a young couple and their child, must eventually leave the situation if they are to survive another year. Our big and tough thug meets a nun and has a beautiful moment (https://www.youtube.com/watch?v=hAdZPnxINQw) where he tells her he’s scared of death. She admits to him that often she also lacks faith in God because she has seen horrors in her days as well. Seeing horrible things is a key part of this story, meaningless suffering and greed are constant themes in RDR. I think this is where the story turns important for our purposes because it’s not an argument that being a good person will result in repayment in the afterlife but it’s a perspective of an outlaw to society who still finds reason to believe in love.

The philosophy here of things matter if you make them matter has been wrung throughout history by those who reject the ideals of religion or meaning and embrace American Pragmatism. Rockstar games (RDR and the Grand theft Auto series) are parodies of reality. They make the case for rejecting the rules of society or governments in exchange for, at least in GTA money. But here for the first time Rockstar seems to come to a conclusion that reaches for meaning.

Arthur dies helping John escape, at least in the canon ending and for once a death in a Rockstar game means something. Arthur’s bad deeds are redeemed in the last few weeks of his life as he devotes himself to helping others. Not out of religion, not because of what is legal but because of what is right. We stand at a moment in human history where the government or masses may not always agree with us, religion is becoming less relevant and we need to find other motivations to spur good deeds.

Video games are a unique way to tell the story because it puts you in that character’s shoes. There’s no medium that creates this much empathy as well as one that can give you as much context with hundreds of hours going into explaining these complicated relationships. You thought you shook when a 2 hour movie kills the supporting character? Try watching your foster father die after spending 50 hours with him.

Arthur’s death is beautiful, meaningful and sad because he becomes a good person, in fact if you have poor “honor” ( a ranking mechanic in the game that is affected if you kill/rob civilians) you get a far less beautiful death. By the same merit we rejoice when Micah, the low down cheating lying snot that got everyone killed is hunted down and shot.

But what would a Rockstar game be without pessimism? In the epilogue, John does an act of vengeance and as a result sets in motion another tragic tale. So maybe despite those good acts we are doomed to repeat our history.

Ignoring the epilogue, I believe that Rockstar is saying something about how we should live our lives (there are even 2 more horrible non-cannon endings if you decide not to help John); if you live a good life and serve others it will mean something and be a more beautiful story. You won’t be rich, you won’t be perfect and the end will no doubt be mostly bitter anyways. Society as a whole finally identifies more with the bandit than with the heroic lawman. But context is a wild west and quite frankly, exploring this new frontier will be key in telling the stories of tomorrow.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Windsor Spider is a Menace! 

J. Jonah Perciballi
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There’s a menace roaming the streets of Rose City and his name is the Windsor Spider! Copying New York’s popular vandal “Spider-Man” the “Windsor Spider” has been walking around our city as a masked vigilante stirring up trouble on the popular dating site “Instagram”.
Masked hero’s should not be idolized!, We don’t know what this person does when they are not in costume! The Windsor Spider is most likely a guilt ridden criminal trying to boost his ego preying on the endless scrolling nation. Perhaps he has a hidden political agenda! Or worse! Maybe he vapes!
Whatever the case fellow Windsorites we cannot allow our youth to be inspired by a fake hero, They need real heroes! You don’t see firemen running around taking photos with civilians like they are a Kardashian sister!
The worst possibility is that this leaves room for an entire cast of fake personas to rise up under a romanticized mask! Isn’t it already enough that we have the masked villain “Tequila Bob”? now we have a vigilante, I’m telling you Windsor this cannot end well!
Rest Assured citizens, J Jonah Perciballi will be here questioning the Spiderman and any other fake idols that rise in our fair city! The only good thing that can come from any of this is my wife possibly getting her credit card stolen by this circus freak!
And if you see the villain Spider-Man tweet photos @AndyofWindsor, let’s catch him in the act! #Windsorspider
This is a work of fiction by Andrew Perciballi